Writing
DO BLACK BOYS GO TO HEAVEN?
“Do Black Boys Go to Heaven” is a searing, poetic coming-of-age drama that collides faith, family, and identity in a town where silence speaks louder than truth.
At the heart of the story is Remi, a queer Black teenager hell-bent on uncovering the truth behind his fractured past and the respected Pastor who may be at the centre of it. As Remi’s search for answers spirals into obsession, the play threads together stories of boys burdened by the weight of masculinity, love, violence, and shame.
Told through scenes that are visceral, intimate, and politically charged, the play gives voice to boys often forced into silence. From the boxing ring to the pulpit, from bedrooms to school offices, Do Black Boys Go to Heaven dares to ask:
Can broken boys ever find peace?
What does justice look like when you're born from trauma?
And most of all Where do Black boys go for healing?
HEAVEN IS JUST A PLACE
“Heaven Is Just a Place” follows Glodi, a young photographer from Australia, who finds himself in an unfamiliar country searching for answers, family, and belonging. A chance encounter with Roger wounded, magnetic, and unapologetically honest, leads to an intimate night of vulnerability, cultural tension, and unexpected love.
Blending memory, autofiction, and emotional truth, this lyrical play explores queer Black intimacy, abandonment, and the stories we create to survive. At once tender and bold, Heaven Is Just a Place asks: What if heaven isn’t somewhere we go but something we make, in the arms of another, in the stories we dare to tell?
I MET AN ANGEL NAMED JACQUES
“I Met an Angel Named Jacques” is a play about reckoning with power, with the past, and with the stories we tell ourselves to survive. Set in a stunning mansion that feels more like a mausoleum of memory than a home, the play explores what happens when a curated image collapses under the weight of truth.
At its heart is L’Or, a Black queer artist navigating the violence of visibility, the seduction of fame, and the ache of unresolved grief. When Jacques, a sharp, wounded writer, arrives under the guise of a magazine profile, he begins to peel back L’Or’s layers, revealing a man haunted by the absence of love and the weight of legacy.
This play is a layered story about exploitation sexual, emotional, artistic and the desperate need for reclamation. It's also about the silence between Black mothers and queer sons, about who gets to tell the story, and about whether love real, transformative love is possible when shame still sits at the table.
Jacques is not just a play. It is a reckoning. A prayer. A scream.